Gender Performativity and Androgyny in Virginia Woolf’s Orlando: A Biography


Beken M. C., Yıldız Çiçekçi N.

10th International KTUDELL Conference: Language, Literature, and Translation , Trabzon, Türkiye, 29 - 30 Mayıs 2025, ss.298-306, (Tam Metin Bildiri)

  • Yayın Türü: Bildiri / Tam Metin Bildiri
  • Basıldığı Şehir: Trabzon
  • Basıldığı Ülke: Türkiye
  • Sayfa Sayıları: ss.298-306
  • Karadeniz Teknik Üniversitesi Adresli: Evet

Özet

Acknowledged as one of the most influential figures in feminist thought, Virginia Woolf challenges the patriarchal structures and advocates for an equal society for men and women. Her writings reveal her struggle against traditional gender identities and the exclusion of women from society, alongside the struggles of women in a society shaped by men. Focusing on the binarities of gender identities, her “Orlando: A Biography” (1928) is famous for its radical shift between genders, which embodies a revolt against the period’s strict gender identity imposition, as well as its reflection on the period’s spirit of transformation. Orlando’s journey through centuries and genders accentuates Woolf’s rejection of social boundaries of gender identities and suggests gender performativity along with an androgynous gender formation rather than an innatist perspective. Therefore, this paper, intending to contribute to ongoing debates in feminist theory, aims to delineate how Woolf challenges fixed gender identities and explores fluid gender roles and gender performativity by dwelling on the androgynous characteristics of Orlando in “Orlando: A Biography”.